So, here’s another self-obsessed blog post by another DIY musician instafacetwittering for the approval of others while trying to promote their new release with no backing from agents, labels or Arts Council funds. Yes… and no…
Contrary to what is lamented and blown out of proportion in music (auto)biographies where a front-man/singer/songwriter in a band for years craves to release a solo record and finally relishes the opportunity because ”I can put down what I really feel now, man” or some other equally stomach-churning diatribe that serves to build up the ‘Myth of the Man’, it may come as some surprise that I wasn’t necessarily compelled with or struck with an immense creative urgency to release my début solo record.
Songs had been festering for a while I admit, but some riffs (Blue Mountains) lay dormant for years. In fact I must have written the Guitar riff well over seven years ago…but I digress. I started recording in October 2014 with a friend of mine at his home studio. A couple of days to lay down the Guitar and vocals for the songs and working on it from there. A few tweaks in the future with the vocals and doing re-takes…it’s a lengthy enough process.
What I was apprehensive about with releasing a record is simply the way we consume and interact with music these days. On average, people will listen to 15-30 seconds of a track and make a judgement before skipping tracks. Imagine if you did that with Pink Floyd or I Am The Resurrection by The Stone Roses. Yes, as a musician, you want to get your work out there, but with so many outlets to spread your product and the days of listening to a record all the way through (god forbid) are now confined to the dusty box filled with such gems as ”The days when you could leave your door open”. Is there really any point to release another musical interlude into the ether? After all, videos, music and more are being uploaded every second making it a commodity and while the World Wide Web is a true democracy, it is open to a lot of these problems. As everything is expected to be free, it diminishes the countless hours of work put into it, production costs and more…
Rant, rant, rant…come on, get to your point….
It may be tempting to wait in line for the next Bob Dylan release to keep your collection up to date regardless of the quality he puts out (£400 for a box set of every musical brain fart he’s had from 1965-’66 available now!) but if we can tear ourselves away from bolstering Dylan’s lifestyle, supporting localised events and projects, music, theatre etc, must be the way forward right?
Research on spending by local authorities shows that for every £1 spent with a small or medium-sized business 63p stayed in the local economy, compared to 40p with a larger business. When I put on my own shows, I try my utmost to support the right venue. Bar 122 in Huddersfield was started by ‘Stevo’ who built from the ground up, supports underground artists, national and touring artists and manages to keep his drink/food prices at a competitive and affordable level. This is not a corporate venue and has been a lifeblood of the town for a long time and continues to support the local economy this way. In this past year I put on a show at a corporate venue where drink prices were over £4.50 a pint and because the show didn’t manage to cover itself by ticket sales (booking the room fee, soundman, bartenders) and as soon as I stepped offstage I was handed a bill of £3.20 to the venue. It is little things like this that remind me that personality, familiarity and supporting the right people will hopefully pay off for all of us. Grow your own, support the scene and create communities!
Hook, Line and Sinker will be released Friday 9th October via http://www.johnnycampbell.bandcamp.com